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PAST SALES

We are happy to present a small selection of sales of interest made by the gallery. This is divided into three sections: Old Master Drawings, 19th & 20th Century Drawings, and Paintings, Oil Sketches, and Sculpture. The selection will be changed on a regular basis.

OLD MASTER DRAWINGS

Old Master Drawings

VENETIAN SCHOOL

Circa 1490

Head of a Youth Looking up to the Left

Black chalk, with ruled stylus indications, the upper corners cut; on the remnants of a Vasari (?) mount

8 ⅛ x 6 ⅛ inches

202 x 157 mm

DOMENICO PULIGO

Florence 1492–1527 Florence

Virgin and Child with Two Saints (recto)

Figure Studies (verso)

Inscribed in a modern hand, verso, Puligo


Red chalk (recto); black chalk (verso)

8 ¹⁄₁₆ x 6 ¹⁄₁₆ inches

205 x 155 mm

BERNARDINO GATTI, called SOJARO

Pavia (?) circa 1495–1575 Cremona

Study for Saint Dominic Kneeling, with Arms Outstretched (recto)

Partial Re-study of Dominic’s Knee and Drapery (verso)

Inscribed with initials, verso, RD


Red chalk heightened with white on cream paper, squared for transfer

Irregularly cut, 9 ⅜  x 6 ⅛ inches

239 x 167 mm

FRANCESCO DE’ ROSSI, called SALVIATI

Florence 1510–1563 Rome

The Levites Carrying Sacred Objects in Procession to the Temple

Inscribed, lower left, Salviati, and di Frco. Sal.ti, verso; also, inscribed, No. 43 in black ink and TG. in brown ink on the old mount


Pen and brown ink and wash, heightened with white, over traces of black chalk underdrawing on buff paper

11 ¼ 17 inches

285 x 430 mm

JACOPO ZUCCHI

Florence c. 1540–1596 Rome

The Foundation of Cosmopoli (?)

Inscribed, lower right, 39


Pen and brown ink, brown wash, over black chalk, on white paper, within black ink framing lines

10 x 13 ¹⁄₁₆ inches

254 x 332 mm

GIOVANNI MARIA BUTTERI

Florence 1540–1606 Florence

Dante, Petrarch, Boccaccio and Other Tuscan Men of Letters

Pen and brown ink

11 ½ x 10 ⅛ inches

292 x 257 mm

LUCA CAMBIASO

Moneglia (Genoa) 1527–1585 El Escorial

Two Animated Figures in Movement

Pen and brown ink with brown wash over traces of black chalk

5 x 4 inches

125 x 102 mm

JACOPO TINTORETTO

Venice 1518–1594 Venice

Study of a Swordsman

Inscribed in pen and brown ink, upper right, Algardi


Black chalk on blue paper

11 ⅞  x 7 ⅝ inches

300 x 195 mm

FRIEDRICH SUSTRIS

Venice or Padua c. 1540–1599 Munich

The Muse of Music within a Cartouche

Bears inscription in pen and brown ink, Franᶜᵒ Primaticcio / à Fontainbleau.


Pen and black ink and grey wash, heightened with white, over black chalk and squared in black chalk, on blue paper

10 ¾ x 8 ¼ inches

276 x 203 mm

FRANCESCO MORANDINI, called IL POPPI

Poppi 1544–1597 Florence

Five Studies of the Head of Giuliano de’ Medici, after Michelangelo

Black and white chalk on blue paper

9 x 6 ⅜ inches

229 x 160 mm

CAMILLO PROCACCINI

Bologna 1551–1629 Milan

Screaming Man

Inscribed, verso, Cav. d’Arpino-


Red and black chalk

6 ¼ x 4 ¼ inches

160 x 107 mm

GIUSEPPE CESARI, called CAVALIERE D’ARPINO

Arpino 1568–1640 Rome

An Angel in Flight: Study for the “Ascension of Christ” (S. Giovanni in Laterano, Rome)

Inscribed, lower right, Joseppo d'Arpinas; numbered, lower left, 16.10.


Black and red chalk

15 x 14 inches

380 x 357 mm

SIR PETER PAUL RUBENS

Siegen 1577–1640 Antwerp

Anatomical Study of the Legs of a Male Nude

Inscribed by a later hand on the verso, P. Rubbens


Pen and brown ink

10 x 7 ⅛ inches

254 x 182 mm

SIR PETER PAUL RUBENS

Siegen 1577–1640 Antwerp

Bust of a Hellenistic Ruler, after the Antique

Inscribed,¹ lower center, Rubens from the Antique; the mat inscribed, lower center, in a later hand, P. Lankrink/Charles Fairfax Murray


Black chalk heightened with traces of white chalk and gouache on beige paper;² watermark, encircled pilgrim (cf. Briquet 7576, “Udine c. 1593”)

12 ½ x 9 inches

317 x 228 mm

REMBRANDT HARMENSZ. VAN RIJN

Leiden 1607–1669 Amsterdam

A Young Man Leaning on a Stick, Turned to the Left

Pen and brown ink

5 ⅝ x 3 ⅜ inches

143 x 87 mm

GIOVANNI FRANCESCO BARBIERI, called Il GUERCINO

Cento 1591–1666 Bologna

Allegory of Winemaking, with Four Putti

Inscribed in pen and ink, verso, upper right corner, Guer.⁰ = L [?] 40

Oiled black chalk heightened with white

10 ½ x 14 inches

268 by 355 mm

SIMON VOUET

Paris 1590–1649 Paris

Portrait of a Woman with Pearl Earrings

Red, black, and white chalk, pastel

10 ¼  x 8 ⅝ inches

260 x 213 mm

CLAUDE MELLAN

Abbeville 1598–1688 Paris

Portrait of Nicolas-Claude Fabri de Peiresc (1580–1637)

Inscribed by a later hand in pen and ink, old backing board, Mellan, with a drawing of a coat-of arms


Black chalk

5¾ x 4¼ inches

145 x 110 mm

CLAUDE GELLÉE, called CLAUDE LORRAIN

Chamagne (Lorraine) 1600-1682 Rome

Pastoral Landscape with a Figure by a Lake

Inscribed in chalk on the verso, Designe facto per ilm Principe Don Gaspare


Black chalk, pen and brown ink, brush with brown, grey and grey-brown washes, within the artist’s framing lines

7 ½ x 10 ⅝ inches

191 x 270 mm

CLAUDE GILLOT

Langres 1673–1722 Paris

Four Actors in Theatrical Costume with Swords (“Capitains”)

Numbered in graphite, upper right, 13. . .


Pen and black ink and red wash, with pale grey-blue wash in the background

5 ⅞ x 7 ⅞  inches

150 x 200 mm

ANTOINE WATTEAU

Valenciennes 1684–1721 Paris

Study of Two Persian Diplomats

Numbered, lower center, 107, and on verso, 396


Red, black, and white chalk on beige laid paper affixed to the remains of an old, blue mount¹

17 ¹⁄₁₆ x 9 ⁷⁄₁₆ inches

433 x 240 mm

PIERRE-CHARLES TRÉMOLIÈRES

Cholet 1703–1739 Paris

A Zephyr

Inscribed in Chennevières’s hand, verso, Vaganay, Lyon

Red chalk

8 ⅛ x 11 ⅜   inches

207 x 288 mm

CHARLES-ANDRÉ, called CARLE VANLOO

Nice 1705–1765 Paris

Double-Academy:  A Male Nude Seated in Profile to the Left, the Other Seated with his Head Thrown Back, his Two Arms Raised Pulling Ropes

Inscribed, lower right, Carle Van Loo; inscribed on the verso, lower center, Van Loo. Charles-André (dit Carle) / 1705 - 1765 / Cabinet Pignon-Dijonval no. 3422. du Catalogue


Red chalk

17 ⅜ x 20 ⅜ inches

438 x 518 mm

CHARLES-JOSEPH NATOIRE

Nîmes 1700–1777 Castel Gandolfo

Study of a Triton and a Naiad

Signed, lower right, C. Natoïre


Red and white chalk on beige paper

9 ¾  x 11 ⅝  inches

246 x 295 mm

MARCO BENEFIAL

Rome 1684–1764 Rome

A Man on Crutches

Black and white chalk, on blue paper 

Irregular shape, 16 ¼ x 9 ⅛ inches 409 x 232 mm

GIOVANNI BATTISTA TIEPOLO

Venice 1696–1770 Madrid

A Large Group of Punchinelli

Inscribed on the old mount, lower left, John. Bapta. Tiepolo. f.¹


Pen and brown ink with bistre wash

9 ¼ x 14 ¾ inches

239 x 375 mm

GIOVANNI BATTISTA TIEPOLO

Venice 1696–1770 Madrid

Punchinello Observed or The Discovery of the Tomb of Punchinello

Inscribed in pen and ink, lower left, Tiepolo


Pen and brown ink and wash over traces of black chalk, partially indented for transfer

11 ¾ by 8 ½ inches

297 by 215 mm

GIOVANNI BATTISTA TIEPOLO

Venice 1696–Madrid 1770

Saints Catherine of Siena, Rose of Lima and Agnes of Montepulciano Holding the Christ Child

Pen and brown ink, brown wash over traces of black chalk

10 ⅝ x 6 ⅜   inches

270 x 162 mm

HUBERT ROBERT

Paris 1733–1808 Paris

The Piazza della Rotonda and the Pantheon, Rome

Signed and inscribed, lower right, piazza della Rotonda- Roberti R.--

Red chalk


20 ⅜ x 15 ¾ inches

518 x 399 mm

JEAN-HONORÉ FRAGONARD

Grasse 1732–1806 Paris

Capriccio: Excavation of Roman Ruins

Marked, lower right, with the blind stamp of the Parisian mount maker, François Renaud (Lugt 1042)


Brush and brown and grey washes, with touches of blue, red, and olive-green watercolor, over black chalk

10 ¼  x 12 ¼  inches

261 x 313 mm

JEAN-BAPTISTE GREUZE

Tournus 1725–1805 Paris

Tête d’enfant portant un bonnet, regardant à gauche

Inscribed, lower left, with the folder and inventory number of the Imperial Academy of Fine Arts, Saint Petersburg, 2 _ No 48., and stamped, lower left, with the mark of the Imperial Academy (Lugt 2699a); inscribed on the back of the mount, Tête d’enfant pour l’Accordée de Village; also, inscribed on a label on the old mount, in Russian, Грёзь Жань-Батист / 1725-1805


Red chalk

11 ⅝ x 9 ½ inches

296 x 240 mm

GIOVANNI DOMENICO TIEPOLO

Venice 1727–1804 Venice

The Holy Family Entering Memphis

Signed in pen and brown ink, lower left, Domo Tiepolo f, and inscribed in graphite with the number, 14; also, inscribed in a later hand, verso, Arrivée à jérusalem


Pen and brown ink and brown wash over black chalk

19 x 14 ⅞ inches

482 x 379 mm

LOUIS-ROLLAND TRINQUESSE

c. 1745–c. 1800

Study of a Young Woman “en robe à paniers,” Standing in Three-quarter View

Signed in brown ink, lower left, Trinquesse f… ; also, inscribed by the artist, verso, Je suis trop heureux Monsieur de conte au / sur vôtre induleg, pour vous priere daquesepter Set legerre /  marque de lestime sincere avec laquelle je suis pour la vie / Votre tres humble et tres / obeisant Serviteur Trinquesse / pour Monsieur Le norman du Coudret, / a orleans ; also, inscribed, verso, with the paraphe of Lenormand du Coudray and with the date 29.octobre 1786.


Red chalk

13 ⁵⁄₁₆ x 8 ⅜   inches

338 x 208 mm

JEAN-BAPTISTE-JOSEPH WICAR

Lille 1762–1834 Rome

Portrait de Lorenzo Ré, antiquaire

Inscribed in pencil, upper right, Loren; also inscribed in brown ink, upper left, Lorenzo Ré / Romano and upper right, antiquario / morto di ao 35. and lower right, Vicar fecit.


Black chalk

7 x 6 ¼  inches

179 x 159 mm

Drawn circa 1800

PIERRE-HENRI DE VALENCIENNES

Toulouse 1750–1819 Paris

Mount Athos Carved as a Monument to Alexander the Great, 1799–1800

Signed and dated, lower right, Valenciennes / an 8


Black and white chalk

10 ⅝ x 19 inches

270 x 482 mm

CHARLES MEYNIER

Paris 1763–1832 Paris

Télémaque, pressé par Mentor, quitte l’île de Calypso, 1800

Signed, lower left, c Meynier f.t, and inscribed, lower left, with the date,  1800; also, inscribed, verso, center, Télémaque pressé par Mentor,/quitte L’île de Calypso./composition dont le tableau a Reuni tous les Suffrages/au Sallon de 1801 gravé dans lse annales de peintures/Meynier. invt Delineavit 1800, and, lower right, Meÿnier No 157


Pen and black ink, with brown wash, over black chalk

18 ¹¹⁄₁₆ x 24 ⅛ inches

474 x 612 mm

FRANCISCO JOSE DE GOYA Y LUCIENTES

Fuendetodos 1746–1828 Bordeaux

Tambourine Player

Numbered, top right, 88, and inscribed upper center, 17


Drawn with the point of the brush and brown wash, with traces of red chalk

8 ⅛ x 5 ⅝ inches

205 x 141 mm

19th & 20th C. Drawings

19TH & 20TH CENTURY DRAWINGS

BARTOLOMEO PINELLI

Rome 1781–1835 Rome

Telemachus Relates his Adventures to Calypso as Mentor Listens, 1809

Signed and dated, verso, lower right, Pinelli fece 1809 / Roma; and inscribed, verso, upper right, Calipso prega Telemaco di terminare il raconta di sue aventure prima de giungere all Isola / del Cipro, and lower left, Coll. de grunling / N° 882 / Pinelli fec 1809/Romae. f 20.


Pen and black ink, with brush and grey and brown wash over traces of black chalk

16 ½ x 23 ¼ inches

420 x 590 mm

ADRIEN-VICTOR AUGER

Saint-Valéry-en-Caux 1787–1854 Paris

Portrait of the Violinist Jean Vidal 

(1789-1867), 1808

Signed and inscribed, lower left, below the image, Victor auger, Elève de David, fecit, and dated lower right, anno 1808.


Black and white chalk

29 ⁵⁄₁₆ x 25 inches

745 x 635 mm

ANTOINE-LOUIS BARYE

Paris 1795–1875 Paris

Daim merchant vers la droite

Signed in blue ink in script, left center, Barye; also signed in red ink in script, lower left, Barye


Watercolor heightened with white, over black chalk

4 ¾ x 6 ½ inches

121 x 161 mm

JEAN-BAPTISTE-CAMILLE COROT

Paris 1796–1875 Ville d’Avray

Young Man in Front of a Great Oak

Signed, lower right, Corot.


Pencil heightened with white on buff wove paper

11 ½ x 15 ¹¹⁄₁₆ inches

292 x 398 mm

FERDINAND-VICTOR-EUGÈNE DELACROIX

Charenton-Saint-Maurice 1798-1863 Paris

Un Dessous de bois

Marked with the studio stamp, lower right, ED (Lugt 838a)

Watercolor
10 ⅞ x 8 ¼ inches
276 x 210 mm

HENRI LEHMANN

Kiel 1814–1882 Paris

Reclining Male Figure Embracing a Woman and Two studies of his Left Arm: Study for the Painting “Rêve,” also called “Rêve d’Amour,” 1848

Marked with the studio stamp, lower left (Lugt 1664g), and dated, lower left, 17 juillet/48


Black and red chalk, partially stumped, heightened with white chalk

10 x 12 ⅜ inches

257 x 315 mm

THOMAS COUTURE

Senlis 1815–1879 Villiers-le-Bel, Oise

Le Pierrot politique

Signed, left center, T. C.

Black chalk heightened with white

16 ¾ x 21 ⅝ inches

425 x 549 mm

HILAIRE-GERMAIN-EDGAR DEGAS

Paris 1834–1917 Paris

Portrait in Profile of the Artist’s Brother, René de Gas (recto) Another Study of René, Sleeping (verso)

Graphite on pink paper

12 ³⁄₁₆ x 9 ¹⁵⁄₁₆ inches

310 x 240 mm

CHARLES-FRANÇOIS DAUBIGNY

Paris 1817–1878 Paris

La Tamise aux environs de Londres, 1866

Signed and dated, lower right, juillet 1866 Daubigny; marked with the VENTE DAUBIGNY stamp (Lugt undescribed) on the original backing board, lower left; also inscribed on the backing board, upper left, acheté par le Comte Arnauld Doria / Vente du 19 mars 1937, Salle n° 10 (Hôtel Drouot) / N° 167, pour 1300 + 249 frais = 1549 frs.


Charcoal and black chalk

12 ¾ x 19 ½ inches

324 x 495 mm

EVA GONZALÈS

Paris 1849–1883 Paris

La Plante favorite

Signed, upper left, Eva Gonzalès


Pastel on paper mounted on canvas

17 ½ x 14 ⅜ inches

445 x 365 mm

FRANÇOIS BONVIN

Vaugirard 1817–1887 Saint-Germain-en-Laye

Le moulin à café, 1879

Signed, dated, and numbered, lower left, 13 janvier 1879. / f. Bonvin. / 2.


Black chalk

6 x 8 ¼ inches

152 x 209 mm

FRANÇOIS BONVIN

Vaugirard 1817–1887 Saint-Germain-en-Laye

Nature morte au violin, 1879

Signed and numbered, lower right, f. Bonvin. 14.; also, dated, lower left, 24 Xbre 1879.


Black and red chalks on laid paper

5 ⅞ x 8 ¼ inches

150 x 210 mm

GEORGES SEURAT

Paris 1859–1891 Paris

Académie de femme debout, vue de dos et tenant un bâton dans sa main droite

Signed, verso, upper right, Seurat; inscribed twice, recto, upper left and upper right, 20, and marked with a disc of grey pigment

Watermark, Michallet


Black chalk, stumped, heightened with white, on Michallet paper

24 ⅞ x 19 inches

633 x 482 mm

GEORGES SEURAT

Paris 1859–1891 Paris

La pluie

Conté crayon on Ingres paper

9 ⅜ x 11 ⅞ inches

238 x 302 mm

ADOLPH VON MENZEL

Breslau 1815–1905 Berlin

A Young Woman Looking over Her Left Shoulder, and a Study of an Ear, 1886

Signed and dated, lower right, A Menzel/86


Carpenter’s pencil

8 ¹¹⁄₁₆ x 6 ⁵⁄₁₆ inches

220 x 135 mm

PAUL CÉZANNE

Aix-en-Provence 1839–1906 Aix-en-Provence

Lit défait (recto) Arbres au dessus d’un ruisseau (verso)

Watercolor and pencil (recto); pencil (verso)

10 ¾ x 8 ¼ inches

272 x 209 mm

ODILON REDON

Bordeaux 1840-1916 Paris

Le Prisonnier à La Lucarne

Signed lower left, ODILON REDON


Charcoal

12 ¾ x 20 ¹⁄₁₆ inches

350 x 510 mm

ACHILLE LAUGÉ

Arzens 1861-1944 Cailhau

Madame Catherine Laugé (née Gazel), the Artist’s Mother

Signed with the studio stamp, lower left, A. Laugé


Charcoal, stumping

17 ¾ x15 ¾ inches

450 x 400 mm

PABLO PICASSO

Málaga 1881-1973 Mougin

Homme au gibus, 1915

Signed, upper right, Picasso


Pen and black ink and gouache on paper

12 x 9 ⁷⁄₁₆ inches

305 x 240 mm

SIMON BUSSY

Dôle 1869–1954 London

Papillon et marguerites

Signed, lower left, Simon/Bussy; the backing board inscribed and numbered, Swallow Tail/No 12 and No12/Swallow Tail


Pastel and graphite

8 ½ x 8 ¼ inches

215 x 210 mm


Drawn circa 1937–1939

Paintings, Oil Sketches, & Sculpture

PAINTINGS, OIL SKETCHES, & SCULPTURE

NICOLAS DE LARGILLIERRE

Paris 1656–1746 Paris

Portrait de Charles-Léonor Aubry (1673-1728), marquis de Castelnau, conseiller au Parlement de Paris, 1701

Signed and dated, peint par N/de Largillierre 1701


Oil on canvas

54 ¼ x 41 ¾ inches

138 x 106 mm

ANTON RAPHAEL MENGS

Aussig 1728–1779 Rome

The Glory of Saint Eusebius

Oil on canvas, unlined

60 ¼ x 27 ⅝ inches

153.3 x 70.3 cm

JOSEPH-BENOÎT SUVÉE

Bruges 1743–1807 Rome

Le Dévouement des citoyennes de Paris, 1794

Oil on canvas

19 ⅝ x 24 ⅛ inches
49.9 x 61.3 cm

SIMON-JOSEPH-ALEXANDRE CLÉMENT DENIS

Antwerp 1755–1813 Naples

A Vine Arbor, Ischia

Signed and inscribed, lower center, verso, Dans l’Ile d’Ischia/Sn. Denis, and numbered, lower center, verso, 127


Oil on pink prepared paper, with black chalk

11 ⅜ x 14 ³⁄₁₆ inches

28.9 x 36 cm

JOHANNES JELGERHUIS

Leeuwarden 1770-1836 Amsterdam

A Young Man Seated at a Writing Desk by Lamplight (Binnenhuis), 1819

Signed and dated, upper right, J. Jelgerhuis/ 1819


Oil on oak panel

15 ⅝ x 12 inches

39.7 x 30.5 cm

PIERRE-JEAN DAVID, called DAVID D’ANGERS

Angers 1788–1856 Paris

Charles-Nicolas, baron Fabvier (1782-1855), 1829

Signed and dated on the slate support, beneath the truncation, DAVID / 1829; also, inscribed on the left border with the name of the sitter, Colonel Fabvier


Wax model with traces of plaster on slate

Including the slate support, 5 ¼ x 4 ⅞ inches

13 x 12.4 cm

HORACE VERNET

Paris 1789–1863 Paris

Portrait of Jean-Louis-André-Théodore Géricault

(1791-1824)

Oil on canvas

18 ⅝ x 15 ⅛ inches

47.3 x 38.4 cm

SAMUEL PALMER

London 1805–1881 Redhill (Surrey)

Box Hill, Surrey

Oil on paper

9 ½ x 16 ¼ inches

24 x 40.1 cm

HIPPOLYTE-JEAN FLANDRIN

Lyon 1809-1864 Rome

Portrait of René-Charles Dassy (1826-1889) and His Brother Jean-Baptiste-Claude-Amédé Dassy (1827-1908), 1850

Signed and dated, lower right, Hip.te FLANDRIN. 1850.


Oil on canvas

52 ½ x 36 ½ inches

133.4 x 92.7 cm

PIERRE-ÉTIENNE-THÉODORE ROUSSEAU

Paris 1812–1867 Barbizon

La Ferme dans les Landes

Signed, lower right, Th Rousseau

Oil on canvas

25 ½ x 39 ⅜ inches

65 x 100 cm

PIERRE-ÉTIENNE-THÉODORE ROUSSEAU

Paris 1812–1867 Barbizon

Panoramic Landscape near the River Moselle

Oil on canvas

8 ¹¹⁄₁₆ x 29 ⅞ inches

22.1 x 75.9 cm

FRANÇOIS BONVIN

Paris 1817–1887 Saint-Germain-en-Laye

Nature morte aux oeufs, 1878

Signed and dated, lower right, F. Bonvin 78; also inscribed with a poem on the reverse of the panel, . . . Je souffre le martyre/Le temps de la joie et du rire -/Le bon temps – hélas est passé;/Mais, avant d’être trépassé,/En échange de tes étrennes/Pour que de moi tu te souviennes,/Sur la tombe à demi penché,/Voici l’oeuf dur que j’ai poché./Ton ami./f. Bonvin/24 février 1878.


Oil on panel

7 ⅝ x 9 ¾ inches

19.4 x 25 cm

FRANÇOIS BONVIN

Paris 1817–1887 Saint-Germain-en-Laye

Nature morte à la bougie, 1878

Signed and dated, lower left, F. Bonvin 1878


Oil on panel

7 ½ x 9 ¾ inches

19 x 25 cm

EUGÈNE-LOUIS BOUDIN

Honfleur 1824–1898 Deauville

Study of Clouds

Marked with the estate stamp, lower right, E. B. (Lugt 828) 


Oil on paper 

8 ⁹⁄₁₆ x 11 ⅛ inches 

21.7 x 28.3 cm

HILAIRE-GERMAIN-EDGAR DEGAS

Paris 1834–1917 Paris

Chevaux et jockeys dans un paysage

Stamped with the Degas estate sale mark, degas, lower right (Lugt 658); and stamped with the Degas atelier mark, ATELIER – ED. DEGAS, on the reverse of the panel (Lugt 657); inscribed on the reverse of the panel in blue crayon with the Degas atelier inventory photograph number, Ph 1694 (photograph taken by Durand-Ruel)


Oil, essence, charcoal, and brush with India ink on panel

12 ⅝ x 16 ⅛ inches

32 x 41 cm

WALTER GAY

Boston 1856-1937 Le Bréau, Fontainebleau

The Small Red Drawing Room of the Comtesse Robert de Fitz-James, Rue Constantine, Paris

Signed and inscribed, lower right, à Madame la Comtesse de Fitz James/hommages respectueux Walter Gay; label on the back of the panel numbered, 71


Oil on panel

16 ¹⁄₁₆ x 13 ⅜ inches

40.7 x 34 cm

LOUIS MARCOUSSIS

Warsaw 1878–1941 Cusset

La Guitare et l’as de trèfle

Inscribed with blue crayon on the verso, upper center, Marcoussis; also inscribed, verso, right center, je certifié que cette/ peinture est de Marcoussis / Alice Marcoussis


Oil on board

18 ⅛ x 13 ⅛  inches

46 x 33.5 cm

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